The Big Bull Review: Whoever thinks that last year’s web series scam should not be compared to the 1992 Disney Hotstar film, The Big Bull, is correct. There is no match between the two. The Big Bull is dwarf in every respect in front of the web series. The story here begins in 2020 when economic journalist Meera Rao (Ileana Dikruz) talks to people about her book on stockbroker turned big bull Hemant Shah (Abhishek Bachchan). Harshad Mehta’s story brought a storm into the Indian stock market in the 1980s-90s, which is not mentioned by the writer-director. In this sense, these foreign goods is a matter of their own.
The Big Bull Review
The film tells that Hemant, who does a simple job, becomes an overnight sharebroker and then more than that. So big that people call him Amitabh Bachchan of the stock market. But Meera raises the question of whether he is underworld funding Hemant by telling her just a bubble. How is the stock of companies in the Hemant stock market falling and picking up at their behest? Is advertising in newspapers. He is praised everywhere, and by the time he has become the biggest taxpayer of the country.
The story tells how Hemant takes advantage of the shortcomings of the Indian banking system, uses his money in the stock market and takes the profits in his pocket as a middleman. At the same time, it is illegal for banks to invest money in the stock market. In this work, he keeps a few bankers as well. Heats their pockets. But in the end, the piercing brother of the house (Soham Shah) becomes a victim of politicians’ weak confidence and cunning.
Hemant does not like to stroll, and this is what overwhelms him. He tells his wife Priya (Nikita Dutta), ‘The leaders do not want to see anyone else become rich. The leaders are just masters in making false promises. They would bury your dreams. I taught people to dream. In the film, Hemant repeatedly talks about having a trump card to save him in any crisis. This is a little suspense. The film tells the address of this ace at Seven Racecourse Road (the then prime minister’s residence).
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There are some critical problems in the film. The script is weak. In the scene before Ileana Dikruz’s hair lime whitening, she gets upset. Meera’s interview with Meera on TV and the stages of IT people raid in Hemant’s office-house are long, tedious and useless. The newspaper office seems to be fake here. Above all, Abhishek Bachchan does not freeze. He does not fit into the character.
His gestures, dialogues and body language are not like the clever Gujju Bhai of money. Only safari suits, coats and kurtas do not work with pyjamas. Acting is rarely done even before Junior Bachchan. The case of the actor and the character is like the feet and shoes. If the feet do not fit in the shoes, the man limps. Here the film stumbles. In the movie, Hemant wants to count so many rupees that the zero in the calculator will not fit. But in the 20-year-old career, Abhishek has not taken his memorable roles to the tens.
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From The Big Bull, you can understand that whether you are a leader or an industrialist, they are used to money fraudulent work because they earn money with their help. Leaders also manipulate law and order for their convenience. Therefore you cannot fight the system. The last two decades of the previous century brought tremendous changes in the world and the country. Before the doors of the economy opened, it was like a dream for middle-class human beings to go on holidays from fridge, TV, motorbike to family.
Did Harshad Mehta, accused in the Rs 5000 crore bank securities scam, turn the middle-class fortunes into the stock market? This led to ‘India Reborn’. Its history remains to be written. The film also does not revolve around any analysis. She, inspired by Harshad, makes Hemant, flying without a parachute, stand in a haze between the hero and the villain.
Hemant says that earning money is an art, not a scam. His wife says to Hemant, ‘Most people in this world get their luck written, but some write their chance. You are one of them. The film has a dialogue: the story is born out of the situation, not the character. Writer-director Kuki Gulati cannot make the case here that Hemant or his story can be seen. It was the circumstances created in the story that made Scam 1992 solid and memorable.